XML:SNDD - Revision history

Iritscen: somehow I missed the atm_low_perc variants that also use BaseTrack2

2025-06-21T21:52:26Z

somehow I missed the atm_low_perc variants that also use BaseTrack2

← Older revision		Revision as of 21:52, 21 June 2025
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	===Mixing music tracks===		===Mixing music tracks===
	Oni uses this feature in order to layer one music track over another, but only in ~~one functioning OSBD~~: '''OSBDmus_xtr2''', the sorrowful string piece which plays in the Shinatama farewell scene in {{C8}} and at the conclusion of Hasegawa's monologue at the start of {{C11}}. The OSBD's use of <BaseTrack1> and <BaseTrack2> leads to the high string note SNDDmus_xtr2hi.aif playing continuously over the melody in SNDDmus_xtr2_[1-6].aif.		Oni uses this feature in order to layer one music track over another, but only in three (working) OSBDs: '''OSBDatm_low_perc1''', '''OSBDatm_low_perc2''', and '''OSBDmus_xtr2'''. In this article we'll just consider the latter piece, but the two atm_low_perc variants can be heard at {{SectionLink\|Music/Ingame\|atm_low1}}. '''OSBDmus_xtr2''' is the sorrowful string piece which plays in the Shinatama farewell scene in {{C8}} and at the conclusion of Hasegawa's monologue at the start of {{C11}}. The OSBD's use of <BaseTrack1> and <BaseTrack2> leads to the high string note in SNDDmus_xtr2hi.aif playing continuously over the melody in SNDDmus_xtr2_[1-6].aif.

	The benefit of this live-mix approach is that you can also use the individual tracks in other places, or in combination with a different second track; for instance, '''OSBDmus_choral1''' calls for the same SNDDmus_xtr2_[1-6].aif to be mixed with SNDDmus_choral1.aif (except that SNDDmus_choral1.aif doesn't exist and the OSBD is never called…).		The benefit of this live-mix approach is that you can also use the individual tracks in other places, or in combination with a different second track; for instance, the relic '''OSBDmus_choral1''' calls for the same SNDDmus_xtr2_[1-6].aif to be mixed with SNDDmus_choral1.aif (except that SNDDmus_choral1.aif doesn't exist and the OSBD is never called…).

	Note that when mixing two tracks in this way, both tracks will have to share the same <InSound> and <OutSound>. For this reason, SNDDmus_xtr2endmx.aif was created to end the mix of SNDDmus_xtr2hi.aif and SNDDmus_xtr2_[1-6].aif, as opposed to SNDDmus_xtr2_end.aif which provides an end for only SNDDmus_xtr2_[1-6].aif when playing on its own.		Note that when mixing two tracks in this way, both tracks will have to share the same <InSound> and <OutSound>. For this reason, SNDDmus_xtr2endmx.aif was created to end the mix of SNDDmus_xtr2hi.aif and SNDDmus_xtr2_[1-6].aif, as opposed to SNDDmus_xtr2_end.aif which provides an end for only SNDDmus_xtr2_[1-6].aif when playing on its own.

Iritscen: /* Scripting music */ tweaked the formatting and wording for clarity

2023-12-31T15:13:19Z

Scripting music: tweaked the formatting and wording for clarity

Iritscen: wording around TRAM sound lookup; added blurb on PreventRepeat; more links between sections

2023-11-06T17:25:46Z

wording around TRAM sound lookup; added blurb on PreventRepeat; more links between sections

Show changes

Iritscen: added info on DetailTrack and sound volume; tweaked wording on BaseTrack2 info

2023-11-06T03:44:02Z

added info on DetailTrack and sound volume; tweaked wording on BaseTrack2 info

Show changes

Iritscen: massaged section links

2023-11-06T02:04:20Z

massaged section links

← Older revision		Revision as of 02:04, 6 November 2023
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	\|align="center"\| 1		\|align="center"\| 1
	\|align="center"\| 2		\|align="center"\| 2
	\|align="center"\| '''1''' (with Pitch of 2)		\|align="center"\| '''1''' (with Pitch of 2)
	\|}		\|}

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	===Step 3: Preparing the OSBD.amb===		===Step 3: Preparing the OSBD.amb===
	Do you see the <BaseTrack1> tag? In this case it holds the link <font color=#AAAAAA>OSBD</font>c17_99_28konoko<font color=#AAAAAA>.grp.oni</font>. (See ~~the [[#~~Using BaseTrack2 to ~~mix music and~~ sound ~~effects\|"BaseTrack2"]] section~~ below for info on that tag.)		Do you see the <BaseTrack1> tag? In this case it holds the link <font color=#AAAAAA>OSBD</font>c17_99_28konoko<font color=#AAAAAA>.grp.oni</font>. (See {{SectionLink\|\|Using BaseTrack2 to layer sound}} below for info on that tag.)

	<?xml version="1.0" encoding="utf-8"?>		<?xml version="1.0" encoding="utf-8"?>
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	\|align="center"\| 1		\|align="center"\| 1
	\|align="center"\| 2		\|align="center"\| 2
	\|align="center"\| '''1'''		\|align="center"\| '''1''' (with Pitch of 2)
	\|}		\|}

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	* <font color=#AAAAAA>SNDD</font>c17_99_29konoko.aif<font color=#AAAAAA>.oni</font> ("Ready to lose?") (You can play sounds in Simple OniSplit GUI (Windows only).		* <font color=#AAAAAA>SNDD</font>c17_99_29konoko.aif<font color=#AAAAAA>.oni</font> ("Ready to lose?") (You can play sounds in Simple OniSplit GUI (Windows only).
	* ''[...]''		* ''[...]''
	"aif" is here part of the name, as explained under ~~the section [[#The .aif suffix~~\|"The .aif suffix~~"]] above~~.		"aif" is here part of the name, as explained under {{SectionLink\|\|The .aif suffix}}.

	Permutations in .grp files are the reason why Konoko has multiple sounds that can play during the same taunt animation.		Permutations in .grp files are the reason why Konoko has multiple sounds that can play during the same taunt animation.

	===Step 5: Everything else that's left===		===Step 5: Everything else that's left===
	* ~~[[#Source_file_creation\|~~Create your ~~SNDD]]~~ if you haven't yet.		* Create your SNDDs if you haven't yet (see {{SectionLink\|\|Source file creation}}).
	* Put your files into a mod package.		* Put your files into a mod package.
	* Test your stuff in-game!		* Test your stuff in-game!

	==Using BaseTrack2 to ~~mix music and~~ sound ~~effects~~==		==Using BaseTrack2 to layer sound==
	You can place a sound in the OSBD.amb's <BaseTrack2> and it will play in parallel with <BaseTrack1>.		You can place a sound in the OSBD.amb's <BaseTrack2> and it will play in parallel with <BaseTrack1>.

Iritscen: I don't think the OCF thread from 2008-2011 has any value now

2023-11-06T01:52:51Z

I don't think the OCF thread from 2008-2011 has any value now

← Older revision		Revision as of 01:52, 6 November 2023
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	Oni contains many music OSBDs that come in two variants – with and without the InterruptTracksOnStop flag – such as OSBDmus_amasian.amb and OSBDmus_amasian_hd.amb; they play the same actual SNDDs, but the "_hd" variant has the InterruptTracksOnStop flag. When <tt>sound_music_stop</tt> is called on a "_hd" OSBD, you will hear it immediately jump to the outro, which is slightly jarring but can be useful in some cases. An easily observed example is OSBDmus_fiteb_hd, which plays in {{C2}} when combat starts after the opening cutscene in the lobby. When the last blow is delivered to the last standing Striker, the music will immediately jump to its outro. Any discontinuity in the rhythm is masked by the final attack sound effect, and in fact the hard transition serves to punctuate the end of the action. By contrast, if a track was interrupted in this way during a quiet moment in the game it would probably sound awkwardly abrupt.		Oni contains many music OSBDs that come in two variants – with and without the InterruptTracksOnStop flag – such as OSBDmus_amasian.amb and OSBDmus_amasian_hd.amb; they play the same actual SNDDs, but the "_hd" variant has the InterruptTracksOnStop flag. When <tt>sound_music_stop</tt> is called on a "_hd" OSBD, you will hear it immediately jump to the outro, which is slightly jarring but can be useful in some cases. An easily observed example is OSBDmus_fiteb_hd, which plays in {{C2}} when combat starts after the opening cutscene in the lobby. When the last blow is delivered to the last standing Striker, the music will immediately jump to its outro. Any discontinuity in the rhythm is masked by the final attack sound effect, and in fact the hard transition serves to punctuate the end of the action. By contrast, if a track was interrupted in this way during a quiet moment in the game it would probably sound awkwardly abrupt.

	~~==OCF thread about making new music==~~
	~~See [http://oni.bungie.org/forum/viewtopic.php?id=798 here].~~

	==How to register sounds for characters==		==How to register sounds for characters==

Iritscen: /* Scripting music */ wording

2023-11-06T01:36:54Z

Scripting music: wording

← Older revision		Revision as of 01:36, 6 November 2023
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	When setting up your .amb file, you have to think about the timing of how the music will be used. If a music track has an <OutSound> in its .amb, then the sequence of events will be:<br>		When setting up your .amb file, you have to think about the timing of how the music will be used. If a music track has an <OutSound> in its .amb, then the sequence of events will be:<br>
	:<tt>sound_music_stop</tt> called → current segment ~~(SNDD)~~ finishes playing → outro ~~SNDD~~ plays		:<tt>sound_music_stop</tt> called → current body segment finishes playing → outro segment plays

	Thus it can be quite a while before the music really stops. If ~~timing~~ is a ~~concern, such as in a cutscene~~, you could ~~leave~~ out the <OutSound> ~~(but~~ that ~~would make your~~ music ~~end abruptly when~~ the current segment ~~finished playing), fade~~ the music ~~out~~ over ~~any~~ amount of time that ~~you desire, or use~~ the InterruptTracksOnStop flag to ~~skip to~~ <OutSound> immediately ~~so that the music ends sooner~~.		Thus it can be quite a while before the music really stops. If this lag time is a problem, you could:
			# Leave out the <OutSound> so that <tt>sound_music_stop</tt> ends the music after the current segment finishes.
			# Fade out the music over the desired amount of time with <tt>sound_music_volume</tt>. Don't forget to call <tt>sound_music_stop</tt> after the fade-out finishes so that the sound system can stop playing the music.
			# Use the InterruptTracksOnStop flag so that <tt>sound_music_stop</tt> skips to playing <OutSound> immediately.

	Oni contains many ~~variants of~~ music OSBDs with and without the InterruptTracksOnStop flag, such as OSBDmus_amasian.amb and OSBDmus_amasian_hd.amb; they play the same actual SNDDs, but the "_hd" variant has the InterruptTracksOnStop flag~~; when~~ <tt>sound_music_stop</tt> is called on a "_hd" OSBD, you will hear it immediately jump to the outro, which is slightly jarring but can be useful in some cases. An easily-observed example is OSBDmus_fiteb_hd, which plays in {{C2}} when combat starts after the opening cutscene. When the last blow is delivered to the ~~attacking Strikers~~, the music will immediately jump to its outro, ~~punctuating~~ the end of the action.		Oni contains many music OSBDs that come in two variants – with and without the InterruptTracksOnStop flag – such as OSBDmus_amasian.amb and OSBDmus_amasian_hd.amb; they play the same actual SNDDs, but the "_hd" variant has the InterruptTracksOnStop flag. When <tt>sound_music_stop</tt> is called on a "_hd" OSBD, you will hear it immediately jump to the outro, which is slightly jarring but can be useful in some cases. An easily observed example is OSBDmus_fiteb_hd, which plays in {{C2}} when combat starts after the opening cutscene in the lobby. When the last blow is delivered to the last standing Striker, the music will immediately jump to its outro. Any discontinuity in the rhythm is masked by the final attack sound effect, and in fact the hard transition serves to punctuate the end of the action. By contrast, if a track was interrupted in this way during a quiet moment in the game it would probably sound awkwardly abrupt.

	==OCF thread about making new music==		==OCF thread about making new music==

Iritscen: /* OSBDfile.grp.xml */ clearer wording

2023-11-06T01:21:28Z

OSBDfile.grp.xml: clearer wording

← Older revision		Revision as of 01:21, 6 November 2023
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	\| <Flags>		\| <Flags>
	\| flag		\| flag
	\| PreventRepeat - ~~Oni will~~ play ~~different permutations of~~ the ~~sound~~, if there is more than one permutation		\| PreventRepeat - do not play the same permutation twice in a row, if there is more than one permutation
	\|-		\|-
	\|valign="top"\| <NumberOfChannels>		\|valign="top"\| <NumberOfChannels>
	\|valign="top"\| int32		\|valign="top"\| int32
	\| ~~Here you tell Oni if your sound file is mono or stereo.~~		\|

	{\|class="wikitable" width="100%"		{\|class="wikitable" width="100%"
	!		!
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	\|align="center"\| 1		\|align="center"\| 1
	\|align="center"\| 2		\|align="center"\| 2
	\|align="center"\| '''1'''		\|align="center"\| '''1''' (with Pitch of 2)
	\|}		\|}

Iritscen: added note about where the Mac/Win sounds will go in a package; a little more explanation on running the Mac shell script

2023-11-05T20:53:55Z

added note about where the Mac/Win sounds will go in a package; a little more explanation on running the Mac shell script

← Older revision		Revision as of 20:53, 5 November 2023
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	==General information==		==General information==
	*The XML on this page is based on OniSplit '''v0.9.61.0'''.		*The XML on this page is based on OniSplit '''v0.9.61.0'''.
	*In order to make your sounds work on both Windows and Mac, you need to create ~~them~~ twice (one time from a WAV source and another time from an AIFF source).		*In order to make your sounds work on both Windows and Mac, you need to create the .oni files twice (one time from a WAV source and another time from an AIFF source). The AIFF .oni files will go in the mac_only/ folder and the WAV .oni files will go in the win_only/ folder as described on [[Making a mod package]].

	==Source file creation==		==Source file creation==
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	ffmpeg -i input.wav -acodec adpcm_ima_qt -ar 22050 output.aif		ffmpeg -i input.wav -acodec adpcm_ima_qt -ar 22050 output.aif

	The order of arguments is critical: the rate and encoding are being applied to the outputted file, whereas if they came before the input file's name they would be instructions on how to read the input sound. Here is a simple Unix shell script for converting a folder of sounds from WAV to the AIFF format suitable for importing:		The order of arguments is critical: the rate and encoding are being applied to the outputted file, whereas if they came before the input file's name they would be instructions on how to read the input sound. Here is a simple Unix shell script for converting a folder of sounds from WAV to the AIFF format suitable for importing. Save the script as "convert_sounds.sh", make sure that IN_DIR and OUT_DIR are set to the correct values, and run the script in Terminal with the command "sh convert_sounds.sh".

	#!/bin/sh<br />		#!/bin/sh<br />
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	==The .aif suffix==		==The .aif suffix==
	When you are replacing existing Oni sounds, note that all of Oni's SNDD resources possess a ".aif" suffix as part of their <u>actual resource names</u> (yes, even the WAV-encoded sounds in Windows Oni). So if you import them with a name like "SNDDgears.aif", the file suffix gets changed to ".oni" upon import by OniSplit, and you end up with a resource simply titled "SNDDgears" in-game. Existing resources in Oni link to a sound titled "SNDDgears.aif", thus nothing will play. If you supply an AIFF file called "SNDDgears.aif.aif" or a WAV file called "SNDDgears.aif.wav", OniSplit will create the file "SNDDgears.aif.oni", and ~~upon importing it,~~ Oni will find the resource named "SNDDgears.aif" that it's seeking.		When you are replacing existing Oni sounds, note that all of Oni's SNDD resources possess a ".aif" suffix as part of their <u>actual resource names</u> (yes, even the WAV-encoded sounds in Windows Oni). So if you import them with a name like "SNDDgears.aif", the file suffix gets changed to ".oni" upon import by OniSplit and you end up with a resource simply titled "SNDDgears" in-game. Existing resources in Oni link to a sound titled "SNDDgears.aif", thus nothing will play. If you supply an AIFF file called "SNDDgears.aif.aif" or a WAV file called "SNDDgears.aif.wav", OniSplit will create the file "SNDDgears.aif.oni" and Oni will find the resource named "SNDDgears.aif" that it's seeking.

	==.oni file creation==		==.oni file creation==

Iritscen: moving explanation of from the music discussion to the taunt discussion since it's actually used for taunts

2023-05-18T02:23:57Z

moving explanation of <Weight> from the music discussion to the taunt discussion since it's actually used for taunts

← Older revision		Revision as of 02:23, 18 May 2023
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	Breaking the main loop of the music into parts allows Oni to more quickly transition to the ending part when the music is commanded to stop playing. The shorter segments you can break the music into, the better – both for the sake of reaching the outro sooner, and because long segments can be taxing on the game. Oni's music averages 9 seconds per segment, and a segment rarely goes above 20 seconds.		Breaking the main loop of the music into parts allows Oni to more quickly transition to the ending part when the music is commanded to stop playing. The shorter segments you can break the music into, the better – both for the sake of reaching the outro sooner, and because long segments can be taxing on the game. Oni's music averages 9 seconds per segment, and a segment rarely goes above 20 seconds.

	The parts of the music between intro and outro are played in a randomized order to add more variety to the playback. Note that .grp files have a <Weight> tag under each <Permutation>. As with TRAC's <Weight> field, this can be used to set the relative probability that a music segment will be picked~~. Each permutation's weight is figured in relation to the total weight of all segments~~, ~~so if a piece of music has four permutations and the first one has a <Weight> of 30 and the other three have <Weight>s of 10, the first segment has a 50% chance of being played. This~~ feature is effectively unused in Oni's music, as all music ~~OSBDs assign~~ a ~~weight~~ of 10 ~~to all <Permutation>s~~.		The parts of the music between intro and outro are played in a randomized order to add more variety to the playback. Note that .grp files have a <Weight> tag under each <Permutation>. As with TRAC's <Weight> field, this can be used to set the relative probability that a music segment will be picked, however this feature is effectively unused in Oni's music as all music segments have a <Weight> of 10.

	===OSBDfile.imp.xml===		===OSBDfile.imp.xml===
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	* A link (OSBD.amb name) in the ONCC file will be looked up based on the sound ID. Note that the ONCC file has also a probability value that decides whether a sound will be played or not.		* A link (OSBD.amb name) in the ONCC file will be looked up based on the sound ID. Note that the ONCC file has also a probability value that decides whether a sound will be played or not.
	* The game engine looks into OSBD.amb and follows the link into OSBD.grp.		* The game engine looks into OSBD.amb and follows the link into OSBD.grp.
	* '''OSBD.grp can hold multiple links to SNDD files.''' That's why Konoko can have multiple taunt sounds.		* '''OSBD.grp can hold multiple links to SNDD files, called permutations.''' That's why Konoko can have multiple taunt sounds. Each permutation has its own "Weight" which determines its probability of playing. This probability is figured in relation to the total weight of all permutations, so if an OSBD has four permutations and the first one has a <Weight> of 30 and the other three have <Weight>s of 10, the first sound has a 50% chance of being picked. This feature is used to define rare taunts for some characters, such as the [[Comguy]]'s [[Easter eggs\|Easter egg]] taunt, "Okay, okay, ''don't'' frog blast the vent core!"

	===Step 1: Preparing the TRAM===		===Step 1: Preparing the TRAM===

← Older revision		Revision as of 15:13, 31 December 2023
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	==Scripting music==		==Scripting music==
	===BSL commands===		===BSL commands===
	'''sound_music_start name:string [volume:float]''', e.g. ~~<tt>~~<code>sound_music_start mus_asian 0.75</code~~></tt~~>		'''sound_music_start name:string [volume:float]''', e.g. <code>sound_music_start mus_asian 0.75</code>

	'''sound_music_stop name:string''', e.g. ~~<tt>~~<code>sound_music_stop mus_asian</code~~></tt~~><br>		'''sound_music_stop name:string''', e.g. <code>sound_music_stop mus_asian</code><br>
	If .amb file has InterruptTracksOnStop flag, music will proceed immediately to <OutSound>, otherwise current segment will finish playing and then <OutSound> will play.		If .amb file has InterruptTracksOnStop flag, music will proceed immediately to <OutSound>, otherwise current segment will finish playing and then <OutSound> will play.

	'''sound_music_volume name:string volume:float [time:float]''', e.g. ~~<tt>~~<code>sound_music_volume mus_asian 0.35 1.0</code~~></tt~~><br>		'''sound_music_volume name:string volume:float [time:float]''', e.g. <code>sound_music_volume mus_asian 0.35 1.0</code><br>
	Volume change takes effect instantly unless you specify a time as the third parameter.		Volume change takes effect instantly unless you specify a time as the third parameter.

	===Stopping the music===		===Stopping the music===
	When Oni's BSL scripting wants to stop some music, it will either:		When Oni's BSL scripting wants to stop some music, it will either:
	# Call <tt>sound_music_stop</tt>.		# Call <code>sound_music_stop ''mus_name''</code>.
	# Fade out the music with <tt>sound_music_volume</tt> and then call <tt>sound_music_stop</tt> when the music has reached zero volume.		# Fade out the music with <code>sound_music_volume ''mus_name'' 0.0 4.0</code> and then call <code>sound_music_stop ''mus_name''</code> when the music has reached zero volume. (4.0 is a sample fade-out time. Oni uses values ranging from 0.25 to 6.0 in various situations.)

	When setting up your .amb file, you have to think about the timing of how the music will be used. If a music track has an <OutSound> in its .amb, then the sequence of events will be:<br>		When setting up your .amb file, you have to think about the timing of how the music will be used. If a music track has an <OutSound> in its .amb, then the sequence of events will be:<br>
	:<tt>sound_music_stop</tt> called → current body segment finishes playing → outro segment plays		:<tt>sound_music_stop</tt> called → current body segment finishes playing → outro segment plays

	Thus it can be quite a while before the music really stops. If this ~~lag time~~ is a problem, you could:		Thus it can be quite a while before the music really stops. If this is a problem, you could:
	# Leave out the <OutSound> so that <tt>sound_music_stop</tt> ends the music after the current segment finishes.		# Leave out the <OutSound> so that <tt>sound_music_stop</tt> ends the music after the current segment finishes.
	# Fade out the music over the desired amount of time with <tt>sound_music_volume</tt>. ~~Don't forget to call~~ <tt>sound_music_stop</tt> after ~~the~~ fade-out finishes so that the sound system can stop playing the music.		# Fade out the music over the desired amount of time with <tt>sound_music_volume</tt>. Use <tt>sound_music_stop</tt> on the track after its fade-out finishes so that the sound system can stop playing the music.
	# Use the InterruptTracksOnStop flag so that <tt>sound_music_stop</tt> skips to playing <OutSound> immediately.		# Use the InterruptTracksOnStop flag so that <tt>sound_music_stop</tt> skips to playing <OutSound> immediately.

	====InterruptTracksOnStop====		====InterruptTracksOnStop====
	Oni contains many music OSBDs that come in two variants – with and without the InterruptTracksOnStop flag – such as OSBDmus_amasian.amb and OSBDmus_amasian_hd.amb; they play the same actual SNDDs, but the "_hd" variant has the InterruptTracksOnStop flag. When <tt>sound_music_stop</tt> is called on a "_hd" OSBD, you will hear it immediately jump to the outro, which is slightly jarring but can be useful in some cases. An easily observed example is OSBDmus_fiteb_hd, which plays in {{C2}} when combat starts after the opening cutscene in the lobby. When the ~~last~~ blow is delivered to the last standing Striker, the music will immediately jump to its outro. Any discontinuity in the rhythm is masked by the ~~final~~ attack ~~sound effect~~, and in fact the hard transition serves to punctuate the end of the action. By contrast, if a track was interrupted in this way during a quiet moment in the game it would probably sound awkwardly abrupt.		Oni contains many music OSBDs that come in two variants – with and without the InterruptTracksOnStop flag – such as OSBDmus_amasian.amb and OSBDmus_amasian_hd.amb; they play the same actual SNDDs, but the "_hd" variant has the InterruptTracksOnStop flag. When <tt>sound_music_stop</tt> is called on a "_hd" OSBD, you will hear it immediately jump to the outro, which is slightly jarring but can be useful in some cases. An easily observed example is OSBDmus_fiteb_hd, which plays in {{C2}} when combat starts after the opening cutscene in the lobby. When the final blow is delivered to the last standing Striker, the music will immediately jump to its outro. Any discontinuity in the rhythm is masked by the sound of the attack that triggers it, and in fact the hard transition serves to punctuate the end of the action. By contrast, if a track was interrupted in this way during a quiet moment in the game it would probably sound awkwardly abrupt.

	==Registering sounds for characters==		==Registering sounds for characters==