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'''''What is Griffin up to?'''''<br>
'''''What is Griffin up to?'''''<br>
:First we have to consider the fact that the player made a choice in Oni 1 as to whether to spare Griffin or kill him. You can't make a sequel to a game with multiple endings unless you are prepared to write multiple plots and read the first game's save data to see which story to use. I'd prefer just saying that the player made the "right" call and preserved Griffin's life, because an Oni 2 with Griffin is more interesting than an Oni 2 without Griffin; also, Konoko killing Griffin in Oni 1 would not portend well for her when she reaches Imago, and we want her to ultimately be a good guy, not a monster, or oni.
:First we have to consider the fact that the player made a choice in Oni 1 as to whether to spare Griffin or kill him. You can't make a sequel to a game with multiple endings unless you are prepared to write multiple plots and read the first game's save data to see which story to use. It's more practical from that perspective to just say that the player made the "right" call and preserved Griffin's life, because an Oni 2 with Griffin is more interesting than an Oni 2 without Griffin; also, Konoko killing Griffin in Oni 1 would not portend well for her when she reaches Imago, and we want her to ultimately be a good guy, not a monster, or oni.
:Despite the global fragmentation at the time of Oni 2, Griffin has been placed in charge of a new, trans-national agency called Agency RED. Supposedly this name is not an acronym, but simply describes an agency dedicated to solving the highest (red-level) threats to international security, i.e., terrorism. In truth, the agency only has one mission, and what "RED" really stands for is "Restrain or Eliminate Daodan". The term "Daodan" is not public knowledge, and this acronymic expansion will not be found in writing in even the most classified documents in the offices of the world's governments. Why Griffin would be placed in this important position when he was directly responsible for the creation of one of the prime Daodan symbiotes, as well as the actual source of his group's funding, is known by very few people in the world.


:Those behind the agency consider the Daodan to be the most dangerous force in the world, and Griffin wholeheartedly agrees. Their basic goal is to try to keep Pandora's Box from opening all the way, before something causes the world to completely descend into chaos. Agency RED's short-term mission is to track down new symbiotes and capture them, or kill them if they cannot be captured. The long-term mission of Agency RED is to find a "cure" for the Daodan threat, that is, some means of neutralizing or killing the Chrysalis. To that end, they are seeking a certain old scientist by the name of Hasegawa, who went missing some years ago....
:A. He could be the head of his country's police (presumably his native country, not Japan, where Oni seems to take place).
:'''B. He might have disliked the new nationalistic atmosphere and is heading his own "rogue" organization. What would it do?'''
::1. Work on getting Chrysalises to people.
::'''2. Work on keeping Chrysalises from people. Those things are dangerous! If Mai is promoting the use of Chrysalises, this would make them enemies again.'''
 
:I favor the notion of B2, because if Griffin is going to be Mai's enemy again, this will give him a solid motivation. He knows that humanity can benefit from the Chrysalis in the short run but also feels strongly that giving everyone the Chrysalis will be opening Pandora's Box as the things develop inside people, so he fights to keep them out of the public's hands. He might even end up in an anti-authority position -- even though the governments will probably refuse to give them to ordinary citizens because of the risks of having a revolt by an Imago-stage populace, they might give Chrysalises to key officials to guarantee their health if the situation is dire enough. In that case, we're indeed back to a situation where Griffin has to fight to keep the Chrysalises out of the hands of politicians.


'''''What happened to the Syndicate?'''''<br>
'''''What happened to the Syndicate?'''''<br>