Oni2:Slaves of War/Design: Difference between revisions

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'''AIs are people''' too. Let them be distracted by things near them while walking casually (Oni already has AIs look in random directions when not alert). Make them react to sounds after a short delay while they think, “Did I just hear something?” and slowly stop walking, then turning to look thoughtfully at the source of the sound, or around in general. Make sure to restore the idle-to-alert loading-weapon animations.<br />
'''AIs are people''' too. Let them be distracted by things near them while walking casually (Oni already has AIs look in random directions when not alert). Make them react to sounds after a short delay while they think, “Did I just hear something?” and slowly stop walking, then turning to look thoughtfully at the source of the sound, or around in general. Make sure to restore the idle-to-alert loading-weapon animations.<br />
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'''Crowd actions''' can be scary when they’re hostile or unexplainable. They will also be unexpected in a game that rarely has many people on-screen at once. Imagine something like a [https://youtu.be/Q90wI3G0iqc?t=36s zombie parade] or The Big O’s March of the Foreigners while they sing their national anthem.<br />
'''Crowd actions''' can be scary when they’re hostile or unexplainable. They will also be unexpected in a game that rarely has many people on-screen at once. Imagine something like a [https://www.youtube.com/watch?v=Q90wI3G0iqc&t=36s zombie parade] or The Big O’s March of the Foreigners while they sing their national anthem.<br />
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There should be times when the player is '''impressed by scale'''. What emotions can we evoke with scale? Awe, at the size of a level. Loneliness, at the emptiness of a space. Fear, at the number of enemies. Imagine a line of enemies, giving off a light of some kind, winding their way down a hill towards the player. Imagine hordes of enemies rushing over a hilltop at you (we don’t have to be able to draw hundreds of enemies; we can use simple box models as stand-ins for distant ones).<br />
There should be times when the player is '''impressed by scale'''. What emotions can we evoke with scale? Awe, at the size of a level. Loneliness, at the emptiness of a space. Fear, at the number of enemies. Imagine a line of enemies, giving off a light of some kind, winding their way down a hill towards the player. Imagine hordes of enemies rushing over a hilltop at you (we don’t have to be able to draw hundreds of enemies; we can use simple box models as stand-ins for distant ones).<br />
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Create a feeling of '''anticipation''' in players to get to the next level. This can be done through making a plot that they want to advance, as well as by providing thumbnails for future levels.  These thumbnails would be large, vivid and carefully composed. They could be a fading slideshow of different parts of the level, or even a short, seamlessly looping movie with ambient sounds from the level.<br />
Create a feeling of '''anticipation''' in players to get to the next level. This can be done through making a plot that they want to advance, as well as by providing thumbnails for future levels.  These thumbnails would be large, vivid and carefully composed. They could be a fading slideshow of different parts of the level, or even a short, seamlessly looping movie with ambient sounds from the level.<br />
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Allow '''veteran players''' to do more or find more stuff in a level. Allow players who train more to unlock moves earlier. See [https://www.gamasutra.com/view/feature/6583/examining_subjective_difficulty_.php this article] for reference points.<br />
Allow '''veteran players''' to do more or find more stuff in a level. Allow players who train more to unlock moves earlier. See [https://web.archive.org/web/20120108214148/https://www.gamasutra.com/view/feature/6583/examining_subjective_difficulty_.php this article] for reference points.<br />
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The '''training level''' can start with the ABCs from Oni, perhaps even the same level, and if the player plays it, she hears Mai reminiscing about Shinatama. But she can also skip straight to later “lessons”; these lessons can be taken in-between any mission. If there is a voice guiding Mai and instructing the player how to throw, it would be a great moment if they tell the player that you cannot throw someone who is facing you unless you knock them off-balance first, and then the player is instructed to try it, just to see that it’s not possible. Mai then successfully throws the person, surprising the voice in your ear. She’s strong enough to do this, but the average character class used in MP cannot (see “throw spamming” notes below). Shapeshifter should be allowed in VR training. The premise can be that Mai can see through the eyes of her opponents to better understand how they fight. A message can be displayed at the bottom of the screen saying “Shapeshifter enabled. Press F6 to cycle back, F8 to cycle forward, and F7 to return to Mai.” Later on, we only have to say “Shapeshifter enabled" to remind the player that they can do this.<br />
The '''training level''' can start with the ABCs from Oni, perhaps even the same level, and if the player plays it, she hears Mai reminiscing about Shinatama. But she can also skip straight to later “lessons”; these lessons can be taken in-between any mission. If there is a voice guiding Mai and instructing the player how to throw, it would be a great moment if they tell the player that you cannot throw someone who is facing you unless you knock them off-balance first, and then the player is instructed to try it, just to see that it’s not possible. Mai then successfully throws the person, surprising the voice in your ear. She’s strong enough to do this, but the average character class used in MP cannot (see “throw spamming” notes below). Shapeshifter should be allowed in VR training. The premise can be that Mai can see through the eyes of her opponents to better understand how they fight. A message can be displayed at the bottom of the screen saying “Shapeshifter enabled. Press F6 to cycle back, F8 to cycle forward, and F7 to return to Mai.” Later on, we only have to say “Shapeshifter enabled" to remind the player that they can do this.<br />
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Some music is much more powerful when listened to in the right season/weather, so perhaps the same is true for visuals. Can environments and weather in-game be '''designed for the season''' in which that level is supposed to be? If we are implementing the feature where levels change by time of day, we can take advantage of this too with track variants (different instruments, tempo, etc.).<br />
Some music is much more powerful when listened to in the right season/weather, so perhaps the same is true for visuals. Can environments and weather in-game be '''designed for the season''' in which that level is supposed to be? If we are implementing the feature where levels change by time of day, we can take advantage of this too with track variants (different instruments, tempo, etc.).<br />
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Game designers should ask themselves, What is my game teaching people? All games teach rules to people and therefore have implicit messages, a "'''meaning of life'''" if you will. This is not necessarily connected to the actual story, and may arise from the mechanics instead. See [https://www.whatgamesare.com/2012/05/games-and-meaning.html this article] for details.<br />
Game designers should ask themselves, What is my game teaching people? All games teach rules to people and therefore have implicit messages, a "'''meaning of life'''" if you will. This is not necessarily connected to the actual story, and may arise from the mechanics instead. See [https://web.archive.org/web/20250914174323/https://www.whatgamesare.com/2012/05/games-and-meaning.html this article] for details.<br />
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It should be possible for the player to '''grow closer to each ally''' (member of your AI team). If there is a betrayal later, it won’t be the one you are closest to, because they’ll be too fond/respectful/admiring of Konoko to betray her. Each member would have their own reason to support the group and a potential reason to betray the group. Each has specific traits that can benefit the group more if you bond with them. One might be timid, but with a sharp sense of humor; he might be cowardly in battle but a good hacker. Another might be hard to like, but a strong ally in battle. Given enough variety in the team, different kinds of players will each find someone to relate to on a personal level or admire. Look to Persona 3 or later for an example of a deep relationship system, and look to [https://arstechnica.com/gaming/2016/03/how-xcom-2-made-me-care-about-the-little-guy/ XCOM 2] for an example of getting players to invest in the soldiers she commands.<br />
It should be possible for the player to '''grow closer to each ally''' (member of your AI team) through actions which will endear them to you. If there is a betrayal later, it won’t be the one you are closest to, because they’ll be too fond/respectful/admiring of Konoko to betray her. Each member would have their own reason to support the group and a potential reason to betray the group, so a member who you neglect is more likely to be the traitor. However winning over one member might hurt your relationship with another who dislikes that person, so you can't simply max your relationship points across the board by grinding through trust-building actions with each character. Each character has specific traits that can benefit the group more if you bond with them. One might be timid, but with a sharp sense of humor; he might be cowardly in battle but a good hacker. Another might be hard to like, and alienating to the other members, but a strong ally in battle. Given enough variety in the team, different kinds of players will have their own favorites. Look to Persona 3 or later for an example of a deep relationship system, and look to [https://arstechnica.com/gaming/2016/03/how-xcom-2-made-me-care-about-the-little-guy/ XCOM 2] for an example of getting players to invest in the soldiers they command. Also see 2002 game [[wp:The Thing (video game)|The Thing]], where a low level of trust from a teammate restricts the actions they will perform, and you have to earn their trust back.<br />
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If we have the resources to spare, it would be fun to add something really exciting to a level but direct little attention to it, and wait for players to find it. Say they exit a base, and notice a stadium nearby with sounds of distant cheering, and upon entering it they find out they can participate in a fighting tournament.  (Imagine that music like “Yo Pumpkin Head” from Cowboy Bebop is playing, to set the tone.) This kind of surprise will create a '''joy of discovery''' and lead to the sharing of these discoveries with the community.<br />
If we have the resources to spare, it would be fun to add something really exciting to a level but direct little attention to it, and wait for players to find it. Say they exit a base, and notice a stadium nearby with sounds of distant cheering, and upon entering it they find out they can participate in a fighting tournament.  (Imagine that music like “Yo Pumpkin Head” from Cowboy Bebop is playing, to set the tone.) This kind of surprise will create a '''joy of discovery''' and lead to the sharing of these discoveries with the community.<br />
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Relevant links:
Relevant links:
;[https://www.gamasutra.com/view/feature/2722/video_games_are_dead_a_chat_with_ Video Games are Dead: A Chat with Storytronics Guru Chris Crawford]
;[https://web.archive.org/web/20120202110041/https://www.gamasutra.com/view/feature/2722/video_games_are_dead_a_chat_with_ Video Games are Dead: A Chat with Storytronics Guru Chris Crawford]
:Provocative interview with Chris Crawford on interactive storytelling.
:Provocative interview with Chris Crawford on interactive storytelling.


;[https://alivetinyworld.com/2010/11/02/deus-ex-life-liberty-and-the-pursuit-of-happiness-or-as-close-as-well-ever-get-to-it/ Alive Tiny World: Deus Ex: Life, Liberty and the Pursuit of Happiness - or as close as we'll ever get to it]
;[http://web.archive.org/web/20120603100838/http://alivetinyworld.com/2010/11/02/deus-ex-life-liberty-and-the-pursuit-of-happiness-or-as-close-as-well-ever-get-to-it/ Alive Tiny World: Deus Ex: Life, Liberty and the Pursuit of Happiness - or as close as we'll ever get to it]
:On what made Deus Ex almost unique in the world of games.
:On what made Deus Ex almost unique in the world of games.


;[https://www.gamedeveloper.com/design/tears-in-rain-remembering-the-blade-runner-game Gamasutra: Tears in Rain: Remembering the Blade Runner Game]
;[https://web.archive.org/web/20150427003814/https://www.gamasutra.com/blogs/RadekSmektala/20150423/241726/Tears_in_Rain_Remembering_the_Blade_Runner_Game.php Gamasutra: Tears in Rain: Remembering the Blade Runner Game]
:On the subject of the player’s actions allowing the story to play out differently each time, the Blade Runner video game is famous for this, even swapping roles for NPCs based on the player’s choices.
:On the subject of the player’s actions allowing the story to play out differently each time, the Blade Runner video game is famous for this, even swapping roles for NPCs based on the player’s choices.


;[https://www.gamedeveloper.com/design/tightening-the-world-plot-interface-or-why-i-am-obsessed-with-conversation-models Emily Short: Tightening the World/Plot Interface, or Why I Am Obsessed with Conversation Models]
;[https://web.archive.org/web/20150609183312/https://www.gamasutra.com/blogs/EmilyShort/20150609/245530/Tightening_the_WorldPlot_Interface_or_Why_I_Am_Obsessed_With_Conversation_Models.php Emily Short: Tightening the World/Plot Interface, or Why I Am Obsessed with Conversation Models]
:Emily talks about exactly the kind of challenges I have been contemplating for the Totally Interactive concept. I think that Oni 2 would naturally avoid some of the challenges that she faces with a text-based interface.
:Emily talks about exactly the kind of challenges I have been contemplating for the Totally Interactive concept. I think that Oni 2 would naturally avoid some of the challenges that she faces with a text-based interface.


<div align=center>{{Pullquote|1=The real question: is game design a hard science (study of things, forces, etc) a social science (study of people), or a humanity/liberal art (analytical/critical study of people)? I'd argue it encompasses all three.|2=[https://archive.is/lSmZW Comment by Lars Doucet]|width=450px}}</div>
<div align=center>{{Pullquote|1=The real question: is game design a hard science (study of things, forces, etc) a social science (study of people), or a humanity/liberal art (analytical/critical study of people)? I'd argue it encompasses all three.|2=[https://web.archive.org/web/20121109063246/https://www.gamasutra.com/view/feature/172587/a_way_to_better_games_.php?page=3#comment155730 Comment by Lars Doucet]|width=450px}}</div>


[[Category:Oni 2]]
[[Category:Oni 2]]