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Paradox-01 (talk | contribs) m (Mukade's theme) |
Paradox-01 (talk | contribs) (Hasegawa's theme - scenes) |
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:[http://www.songlyrics.com/zack-hemsey/i-can-get-it-back-lyrics/ I Can Get It Back] | :[http://www.songlyrics.com/zack-hemsey/i-can-get-it-back-lyrics/ I Can Get It Back] | ||
:Lose of Jamie and working insanely on the Daodan. | :Lose of Jamie and working insanely on the Daodan. | ||
{| class="wikitable" | |||
| | |||
I see a ghost in a photograph | |||
I feel that wave come up under me | |||
I see myself in that other half | |||
I feel that pain pull me underneath | |||
I see the times that we'll never have | |||
I hear the sighs of content we'd breathe | |||
I feel the smile that I wish I had | |||
But all these moments are projections of the past | |||
Cuz a part of me died and a liveliness was lost when you passed | |||
And a light in me dimmed as a certainty was slipping through my grasp | |||
Now I'm picking up the pieces getting cut open by shards of broken glass | |||
Well how long can this last | |||
Missing is that purpose in my life but I can get it back | |||
This isn't gone | |||
I can get it back | |||
I see no soul in the mirror | |||
Only see signs of demise getting nearer | |||
"Time heals wounds" is absurd as a theorem | |||
But I can see above the sky's getting clearer | |||
And though despair of things before will never leave | |||
Although our past mistakes can never be retrieved | |||
Way out in the distance is a vessel on the seas | |||
And I'm a set a heading toward the sun, cuz I believe that I can get it back | |||
All that hope and that joy | |||
That trust and that care | |||
Those dreams of a boy, I can get it back | |||
All that love and that worth | |||
That touch of a flare | |||
That feel of the earth, I can get it back | |||
That drive to extreme | |||
That confidence to lead | |||
That willingness to bleed, I will get it back | |||
Reassembled when I'm done | |||
Depression on the run as I come beating on these drums | |||
This isn't gone | |||
I can get it back | |||
Battles with the mind and the timid stand off | |||
Slightest bit of pain and those tender folk scoff | |||
Choose the destination but that bridge must be crossed | |||
Guess the bottom line is we're cut from different cloths | |||
Borders they divide but I'm inclined to cut across | |||
Reach the outer limits then I cut away my loss | |||
Continue toward the goal in sight no matter what the cost | |||
Emboldened by this chance, I'm not afraid to get lost | |||
Cuz now I'm pushing forward and nobody dare oppose | |||
Now I'm moving faster while that ticking clock slows | |||
And now I'm climbing higher like the ground can't hold | |||
So I don't plan on stopping when this summit plateaus | |||
I'm that invasion of the body by the soul | |||
Sickened from the cold but soon a certified whole | |||
Never one to fight but I just hit it on the nose | |||
It took my spirit, but I got it back, case closed | |||
| | |||
Hasegawa looking at Jamie's photo. | |||
Camera pans to his face. Room gets slightly darker. | |||
Reflection on the photo (glass). | |||
Falling to the knees, holding his chest. Heavy breathing. | |||
Flowing images. Imaginations of happy moments. | |||
Lying together on wild, high, not to dense, sunny grass... | |||
Closed eyes. Smiling. | |||
Darkening clouds. | |||
Very dark. Jamie's grave situated at that lawn. Hasegawa's eyes in shadow. | |||
World around Hasegawa becomes almost pure grey colored. | |||
Picking up again Jamie's photo. Cuts his fingers. | |||
Standing alone in the room. Camera pans out. A mental image of Jamie in front of Hasegawa is fading away. | |||
A walk outside the city, a look into the clouded sky. | |||
Comes home again. Takes pen and note block. | |||
Starts sketching and writing. A stack. Black fade-out. | |||
Black fade-in. Stands in front of the mirror. | |||
Greying hair. Face and forehead wrinkles are clearly visible. | |||
Punches into the mirror. | |||
Outside again, windy and cloudy. | |||
Looking up again. | |||
Walks alongside the fence they once passed. | |||
Stops and looks through towards the ill vegetation. | |||
Resting on ground. Darkness. Imagine an oversized, glowing, constantly adapting cell. | |||
Eyes are widening. (Or he tries to grab it. One hand on the ground.) | |||
Time reversal of wound healing and skin hurting thorn. | |||
Family scene: Jamie, Hasegawa, and the children. | |||
Trip in a green wilderness. Joking with Muro. Eating sandwitches. | |||
Hasegawa graps sun beams at a small [http://nele-diel.deviantart.com/art/Forest-Glade-425986033 forest glade.] | |||
Sits on a mossy trunks. Slowly stoking the green surface. | |||
Hasegawa at a demonstation. | |||
Speaking to people of the demostration. Rising fists. | |||
Getting hit by police clubs. | |||
Standing up again. Determined. | |||
In the lab throwing papers. Monitors shows "construction of Daodan Recombinatoric Universal Messanger failed". | |||
Students join. Kerr joins. Mukade joins. | |||
Pensatore joins. Avatara join. | |||
Head aches. | |||
Arguments with the other scientists. | |||
Fist fight with Pensatore. | |||
Pensatore and Hasegawa lying at different corners of the room. | |||
Mukade and Pensatore also have an argument. | |||
Hasegawa screams. This night he sits in the cold winter night and stares into the darkness. | |||
Muro is introduced to the Syndicate HQ staff. | |||
Hasegawa watching this with jammed fist at the window. | |||
Hasegawa's head over a glowing screen. Pensatore leave the room. | |||
Pills. Fast motion but clock slows down. | |||
Avatara's simulation shows "faster than real-time", factor 1000. | |||
More data is seen. | |||
Screen shows: "virtual Daodan adaption framework <<Oni>> completed" | |||
Collapsing satisfied on the chair. | |||
The other guys are seen in the lab checking the data. | |||
Cam pans out. | |||
|} | |||
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