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User:Guido/Wishlist/Part 1: Difference between revisions
User:Guido/Wishlist/Part 1 (view source)
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, 26 September 2006→WISHLIST PART 1
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''A silhouette is slowly moving away from the crash site. At a first glance it is only a blurred vision, but if we focus our attention we see there it is a person standing, or… dragging another one. The former is woman, the latter is who we suppose to be the driver. He is badly injured. They take cover after a pillar. There are two persons around. The woman probably performed the same action with all the three passengers. Finally, she kneels near the man she has just rescued as he holds his mangled leg. He’s leaning on the floor, the woman tries to stop all his bleeding with a jacket.'' | ''A silhouette is slowly moving away from the crash site. At a first glance it is only a blurred vision, but if we focus our attention we see there it is a person standing, or… dragging another one. The former is woman, the latter is who we suppose to be the driver. He is badly injured. They take cover after a pillar. There are two persons around. The woman probably performed the same action with all the three passengers. Finally, she kneels near the man she has just rescued as he holds his mangled leg. He’s leaning on the floor, the woman tries to stop all his bleeding with a jacket.'' | ||
KONOKO (''we do not see her face, yet''): Definitely, you are not going to die, John | '''KONOKO''' (''we do not see her face, yet''): Definitely, you are not going to die, John | ||
JOHN: (''whispering'') My staff? | '''JOHN''': (''whispering'') My staff? | ||
KONOKO: Fine. I’d say -- | '''KONOKO''': Fine. I’d say -- | ||
JOHN: You were supposed to hate me, Ms. Hasegawa. | '''JOHN''': You were supposed to hate me, Ms. Hasegawa. | ||
KONOKO Will you do me a favor, instead? | '''KONOKO''' Will you do me a favor, instead? | ||
JOHN: You already owe me one… (''gasps'') | '''JOHN''': You already owe me one… (''gasps'') | ||
KONOKO: Spare your parlor tricks, and tell me where it hurts you. (''as she undoes the first knot and she ties up again the jacket around his leg, this time more tightly''.) | '''KONOKO''': Spare your parlor tricks, and tell me where it hurts you. (''as she undoes the first knot and she ties up again the jacket around his leg, this time more tightly''.) | ||
JOHN: TCTF will not come down here. You will have no justice. Would you leave me without? | '''JOHN''': TCTF will not come down here. You will have no justice. Would you leave me without? | ||
KONOKO: I thought you were similar to my father. (''panting'') I thought you were it to die. (''pause'') But Mr. Grieve persuaded me you are something more. | '''KONOKO''': I thought you were similar to my father. (''panting'') I thought you were it to die. (''pause'') But Mr. Grieve persuaded me you are something more. | ||
JOHN (''amazed'') who... (''he reflects, then closes his eyes: after a while he realizes'') | '''JOHN''' (''amazed'') who... (''he reflects, then closes his eyes: after a while he realizes'') | ||
There is a thing I wish to say, Mai. | There is a thing I wish to say, Mai. | ||
KONOKO: What, John? | '''KONOKO''': What, John? | ||
JOHN: Next time I’d like to see you smile. | '''JOHN''': Next time I’d like to see you smile. | ||
KONOKO: (''cheers up? Does only John see her face? Or can we too from our position?''). (''Does she answers “You already made me do so.�??'') | '''KONOKO''': (''cheers up? Does only John see her face? Or can we too from our position?''). (''Does she answers “You already made me do so.�??'') | ||
(''Pause'') | (''Pause'') | ||
JOHN: Where are you going next? | '''JOHN''': Where are you going next? | ||
KONOKO: I am seeking no place. Indeed there’s nothing left for me. | '''KONOKO''': I am seeking no place. Indeed there’s nothing left for me. | ||
V.O. “maybe another story will let me in�? | V.O. “maybe another story will let me in�? | ||
KONOKO ''stands up, and walks away. There is more people coming in (a couple of mercs and civil personnel), but they seem to ignore her, they are concerned with'' JOHN BLACKWATER ''and the remaining wounded ones. A staff member has probably called them for help with a comlink''. | '''KONOKO''' ''stands up, and walks away. There is more people coming in (a couple of mercs and civil personnel), but they seem to ignore her, they are concerned with'' JOHN BLACKWATER ''and the remaining wounded ones. A staff member has probably called them for help with a comlink''. | ||
''We take the view on Konoko’s face as she leaves the compound''. | ''We take the view on Konoko’s face as she leaves the compound''. | ||