User:Guido/Wishlist/Part 3: Difference between revisions
< User:Guido | Wishlist
Jump to navigation
Jump to search
m (→Wishlist Part 3: Well, that's about it for now) |
|||
Line 9: | Line 9: | ||
:even a cloudy sky can concede sunny moments | :even a cloudy sky can concede sunny moments | ||
The sun has pierced through the thin clouds above. | ;The sun has pierced through the thin clouds above. Through the small openings it casts white stripes onto the snakes of mist swarming amidst the ruins. | ||
Through the small openings it casts white stripes | |||
onto the snakes of mist swarming amidst the ruins. | |||
There is a large placid flow in the middle. | ;There is a large placid flow in the middle, going downstream (duh??? [[User:Geyser|geyser]]). It is a river or a canal? | ||
It is a river or a canal? | |||
There's a deserted town in front of us. | ;There's a deserted town in front of us. In the distance, a part of the city is still intact and inhabited. | ||
In the distance, a part of the city is still intact and inhabited. | ;However, it's in the corner of our field of view, beyond the left shore of the channel. | ||
beyond the left shore of the channel. | |||
:this hand | :this hand | ||
Line 25: | Line 20: | ||
:makes you laugh | :makes you laugh | ||
A small girl’s hand casts a shadow on Konoko’s chest. | ;A small girl’s hand casts a shadow on Konoko’s chest. Konoko keeps her eyes closed. | ||
Konoko keeps her eyes closed. | ;We cannot decipher her face. She’s slowly hanging her head. | ||
We cannot decipher her face. | |||
She’s slowly hanging her head. | |||
Konoko hugs the small girl who’s lying on the ground. She is clearly suffering. | ;Konoko hugs the small girl who’s lying on the ground. She is clearly suffering. | ||
However we cannot be sure whether the small girl is dying here and now | ;However, we cannot be sure whether the small girl is dying here and now or whether it is a flashback to when Konoko rescued her. | ||
or whether it is a flashback to when Konoko rescued her. | ;Other bodies are scattered all around. | ||
Other bodies are scattered all around. | |||
:makes you think | :makes you think | ||
Now it is clearly a flashback | ;Now it is clearly a flashback, Konoko on a bridge over the same channel (a large motorway bridge). | ||
;She notices the small girl on the shore, drawing dirty water from an old oil tank (sic? [[User:Geyser|geyser]]). | |||
:raindrops of yesterday are now dried up | :raindrops of yesterday are now dried up | ||
A pool of rainwater, Konoko’s foot ripples its surface. | ;A pool of rainwater, Konoko’s foot ripples its surface. | ||
: | :musk breathes as you cut it | ||
;(do you really mean [http://en.wikipedia.org/wiki/Musk musk]? or is it mold (fungus/lichen/whatever)? [[User:Geyser|geyser]]) | |||
:and there are people carried away from criticisms, | :and there are people carried away from criticisms, | ||
The asphalt on the route has been fractured by colonies of weed and mold. | ;The asphalt on the route has been fractured by colonies of weed and musks (mold? [[User:Geyser|geyser]]). | ||
Unearthly colors saturate the vegetation. | ;Unearthly colors saturate the vegetation. Konoko follows the route alone, and enters a forest. | ||
Konoko follows the route alone, and enters a forest. | |||
[[Image:Smallred.jpg|right|thumb|Small Red<br>[[:Image:Smallred.jpg|(MORE)]]]] | [[Image:Smallred.jpg|right|thumb|Small Red<br>[[:Image:Smallred.jpg|(MORE)]]]] | ||
Line 58: | Line 49: | ||
:awaited rain | :awaited rain | ||
The highest rises of the trees are grey, reflecting a suffering nature. | ;The highest rises of the trees are grey, reflecting a suffering nature. | ||
By contrast, the ground layer has become a daze of disturbing | ;By contrast, the ground layer has become a daze of disturbing phosphorescent lights. | ||
:in another year | :in another year | ||
:there may be even unseen stars | :there may be even unseen stars | ||
Shot of small tiny colored fungi lurking in the luxuriant undergrowth. | ;Shot of small tiny colored fungi lurking in the luxuriant undergrowth. | ||
:illnesses and mushrooms coming for us | :illnesses and mushrooms coming for us | ||
Fade to black. | ;Fade to black. | ||
; | ;OLD MAN (V.O.) | ||
:What drove you so far away from Neo Tokyo? Isn’t it time to come back? | :What drove you so far away from Neo-Tokyo? Isn’t it time to come back? | ||
---- | ---- | ||
<noinclude>{{GuidoWishlist|center}}</noinclude> | <noinclude>{{GuidoWishlist|center}}</noinclude> |
Revision as of 21:00, 2 October 2006
Wishlist Part 3
- even a cloudy sky can concede sunny moments
- The sun has pierced through the thin clouds above. Through the small openings it casts white stripes onto the snakes of mist swarming amidst the ruins.
- There is a large placid flow in the middle, going downstream (duh??? geyser). It is a river or a canal?
- There's a deserted town in front of us. In the distance, a part of the city is still intact and inhabited.
- However, it's in the corner of our field of view, beyond the left shore of the channel.
- this hand
- casts a tiny shadow on me
- makes you laugh
- A small girl’s hand casts a shadow on Konoko’s chest. Konoko keeps her eyes closed.
- We cannot decipher her face. She’s slowly hanging her head.
- Konoko hugs the small girl who’s lying on the ground. She is clearly suffering.
- However, we cannot be sure whether the small girl is dying here and now or whether it is a flashback to when Konoko rescued her.
- Other bodies are scattered all around.
- makes you think
- Now it is clearly a flashback, Konoko on a bridge over the same channel (a large motorway bridge).
- She notices the small girl on the shore, drawing dirty water from an old oil tank (sic? geyser).
- raindrops of yesterday are now dried up
- A pool of rainwater, Konoko’s foot ripples its surface.
- musk breathes as you cut it
- (do you really mean musk? or is it mold (fungus/lichen/whatever)? geyser)
- and there are people carried away from criticisms,
- The asphalt on the route has been fractured by colonies of weed and musks (mold? geyser).
- Unearthly colors saturate the vegetation. Konoko follows the route alone, and enters a forest.
- we delay our anniversaries to the forthcoming years,
- towards new moments of
- awaited rain
- The highest rises of the trees are grey, reflecting a suffering nature.
- By contrast, the ground layer has become a daze of disturbing phosphorescent lights.
- in another year
- there may be even unseen stars
- Shot of small tiny colored fungi lurking in the luxuriant undergrowth.
- illnesses and mushrooms coming for us
- Fade to black.
- OLD MAN (V.O.)
- What drove you so far away from Neo-Tokyo? Isn’t it time to come back?