Music

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Revision as of 21:27, 13 November 2022 by Iritscen (talk | contribs) (dropping Marty's old mp3.com page here for now)
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The original promotional CD's cover art.
The art used for Marty O'Donnell's Bandcamp re-release of the OST (no longer online).

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Musicians

  • Marty O'Donnell
  • Michael Salvatori*
  • Power of Seven

*Salvatori may not actually have composed for Oni. O'Donnell states in this interview that he personally composed the half of the soundtrack which Power of Seven did not. Salvatori may have assisted in its production, however, as he is also referred to as a producer and engineer in the same interview. Marty specifically seems to take credit for "Oni Anime" and "Farewell" on his mp3.com artist page.


Power of Seven

Power of Seven logo.gif

The name echoes Bungie's "cult" of the number 7 and its powers (343, 2401), but Power of Seven was an independent digital music content publisher founded in Minnesota and headed by Paul Sebastien. Bungie fans also know them for producing the opening themes to Marathon 2: Durandal and Marathon Infinity.

Paul Sebastien was also a founder of the techno band Psykosonik; over the course of the band's existence (1992–1997), four of their electronic dance songs charted in the Billboard Top 40. In 1996, Power of Seven was acquired by audio company Headspace, Inc. and the studio was relocated to Headspace's HQ in San Mateo, California. In 1999, Headspace renamed themselves Beatnik, Inc. They became defunct in 2011. (The Californian company which currently creates meditation audio programs under the name Headspace is unrelated.)

Determining which people at Power of Seven actually worked on Oni's soundtrack is difficult. This article calls the group a "trio" consisting of "NVerse" (real name unknown), Brian Salter and Kim Cascone. The same line-up is shown on their mp3.com page. Kim Cascone is a famous electronic composer whose work is wayyy more experimental than what you'd expect to hear in a game, though he did score the surrealist puzzle game Obsidian (1997). Cascone briefly mentioned that he was working on "sound design for a Japanese anime game" at the end of this 1998 interview, which he confirmed by email in 2022 to have been Oni, however he referred to his contributions as "spec work" and didn't think that his "sound design" was used in the final game. It is unknown whether Paul Sebastien himself contributed to the soundtrack, as he may have been busy in his role as Director of Production at Headspace. Was he the mysterious "NVerse"?